અનુયાયીઓ

રવિવાર, 5 જાન્યુઆરી, 2014

Cecelia Webber'




 Cecelia Webber's intricate tessellation collages made of nude bodies

http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber_hum_2725389k.jpg
Cecelia Webber takes photos of nude models and spends up to a year editing them together on her computer to create extraordinary collages.
Here: a hummingbird 


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber_mon_2725388k.jpg
After photographing a series of models in various poses, Cecelia digitally cuts, rotates and colours their bodies and limbs to create a finished image.
A Monarch butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_car_2725400k.jpg
To get the perfect angle for the illusions, she may reshoot her initial photo over 100 times - otherwise the illusion will be broken.
The final creations are made up of different models, each of whom was photographed in a single pose.
A cardinal


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_cer_2725398k.jpg
She works at such a high resolution that her artwork can be printed up to 6ft tall, showcasing all the intricate details in her images.
A Cerulean butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_lov_2725397k.jpg
A custom commissioned piece of Cecelia's work starts at £3,100
A pair of lovebirds


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_pea_2725396k.jpg
Cecelia chooses her models from everyday people and refuses to edit them by changing their features.
A peacock


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_fuc_2725393k.jpg
To capture the right angles she will stand on the top of tables, over railings on higher floors or balance her camera in precarious places.
A Fuchsia butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_rea_2725392k.jpg
She lights the models with natural daylight but, on occasions when she's photographing herself for the illusions, she'll run back and forth with the camera on timer.
'Reach', a caterpillar 


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_chr_2725391k.jpg
Cecelia said: "I have to imagine the angles involved and position myself in front of the camera without actually seeing how I look through the lens, which is quite challenging.
A chrysalis and butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber__bu_2725382k.jpg
"Often during a photo shoot I see something that catches my eye and provokes me to produce an entirely new piece of work," says the artist. "Usually, I get my inspiration from observing nature. I spent a great deal of time outdoors as a child, and I was fascinated by living things."
A butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber_cat_2725385k.jpg
"I used to climb trees and look closely at leaves and flowers, and I always loved animals of all sizes. My nickname is actually bird." confided Cecelia
A caterpillar


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_owl_2725394k.jpg
"By highlighting our connection to nature, I hope to get people to recognise humanity's responsibility and our deep connection to the natural world," Cecelia explained.
An owl


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_nig_2725395k.jpg
Cecelia Webber passionately supports green business, local agriculture, and alternative energy research
A night owl


-- 
                            

Cecelia Webber's intricate tessellation collages made of nude bodies


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber_hum_2725389k.jpg
Cecelia Webber takes photos of nude models and spends up to a year editing them together on her computer to create extraordinary collages.
Here: a hummingbird 


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber_mon_2725388k.jpg
After photographing a series of models in various poses, Cecelia digitally cuts, rotates and colours their bodies and limbs to create a finished image.
A Monarch butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_car_2725400k.jpg
To get the perfect angle for the illusions, she may reshoot her initial photo over 100 times - otherwise the illusion will be broken.
The final creations are made up of different models, each of whom was photographed in a single pose.
A cardinal


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_cer_2725398k.jpg
She works at such a high resolution that her artwork can be printed up to 6ft tall, showcasing all the intricate details in her images.
A Cerulean butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_lov_2725397k.jpg
A custom commissioned piece of Cecelia's work starts at £3,100
A pair of lovebirds


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_pea_2725396k.jpg
Cecelia chooses her models from everyday people and refuses to edit them by changing their features.
A peacock


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_fuc_2725393k.jpg
To capture the right angles she will stand on the top of tables, over railings on higher floors or balance her camera in precarious places.
A Fuchsia butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_rea_2725392k.jpg
She lights the models with natural daylight but, on occasions when she's photographing herself for the illusions, she'll run back and forth with the camera on timer.
'Reach', a caterpillar 


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_chr_2725391k.jpg
Cecelia said: "I have to imagine the angles involved and position myself in front of the camera without actually seeing how I look through the lens, which is quite challenging.
A chrysalis and butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber__bu_2725382k.jpg
"Often during a photo shoot I see something that catches my eye and provokes me to produce an entirely new piece of work," says the artist. "Usually, I get my inspiration from observing nature. I spent a great deal of time outdoors as a child, and I was fascinated by living things."
A butterfly


http://i.telegraph.co.uk/multimedia/archive/02725/Cecilia_Webber_cat_2725385k.jpg
"I used to climb trees and look closely at leaves and flowers, and I always loved animals of all sizes. My nickname is actually bird." confided Cecelia
A caterpillar


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_owl_2725394k.jpg
"By highlighting our connection to nature, I hope to get people to recognise humanity's responsibility and our deep connection to the natural world," Cecelia explained.
An owl


http://i.telegraph.co.uk/multimedia/archive/02725/Cecelia_Webber_nig_2725395k.jpg
Cecelia Webber passionately supports green business, local agriculture, and alternative energy research
A night owl

JETALSARMA MATI MORM KHODKAAM NI BECKBONE COMPANY A MAANGELI PARMIT RAD KARVA MAANG..KASHYAP JOSHI JEPTU


મંગળવાર, 31 ડિસેમ્બર, 2013

KASHYAP JOSHI JETPUR


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JETALSAR-JETPUR PANTHAKMA BEROKTOK MORAM-MATI CHORI/ KHANAN ROKVA MAMLATDAR-KHAN-KHANIJ TANTRA NE RAJUAATO. PHOTO AND METTER KASHYAP JOSHI JETALSAR

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Subject: JETALSAR-JETPUR PANTHAKMA BEROKTOK MORAM-MATI CHORI/ KHANAN ROKVA MAMLATDAR-KHAN-KHANIJ TANTRA NE RAJUAATO. PHOTO AND METTER KASHYAP JOSHI JETALSAR
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